It’s a silly concept really, a sword made out of glass, or maybe I’m missing a trick. A weapon that uses the power of refraction to inflict its damage. Anyway, this discussion is deflecting me (sorry, no more tenuous light based physics jokes) from the purpose of this post. As you may have guessed, I wanted to share with you my thoughts on the debut full length release from one of Glasgow’s golden group of producer/DJs who have been slowly but very confidently infiltrating our ears with their heavily hip-hop influenced, electronic sounds; Rustie.
I was moved in a big way earlier this year by the Satin Panthers release from label mate Hudson Mohawke with it’s equal mix of delicateness and dirt. Rustie’s Glass Swords certainly continues in the same vein.
The album doesn’t lead with its strongest tracks, and by doing this you find yourself getting more hyped as you journey through, enticing you to switch the vinyl back to the A-side and ride it out again. The fish hook that reeled me in was the back to back power houses of Ultra Thizz and Death Mountain. The former flips you from frantic fist pumps to a half time shuffle in the blink of a bar, all 808s, power synth stab riffs and mouthed bass. Death Mountain comes in with what sounds like a trance influenced orchestral string section juiced on Four Loko and played in reverse, then breaking down over a light speed tuned drum roll before returning to the almost trademark mouth bass riff complemented with a pan pipe affected high vocal part.
There’s mellow parts too, like the roller dub step shuffle feel of After Light. I say mellow, this song GOES OFF just after the two minute mark. It’s as if a whole Rustie DJ set has been layered into one track; easing you in with a filtered intro, opening you up with a chest shattering bass rhythm, pulling you right back down again before the long (and again trance style) build into the … wait for it … POW huge drop.
The sounds that make up some of the songs I feel could be, dare I say it, annoying, if listened to in isolation. However Rustie’s ability to melt these together into tracks that you can wash the dishes to or run a rave on illustrate the vast appeal that this album has.
Moving towards the back end of the album and All Nite, you can hear the influence of Rustie’s previous collaborations with Bristol’s Joker. I also get the impression that video games like Sonic the Hedgehog might have played some part in shaping Rustie’s musical direction, but that’s just my opinion.
If you fill a stocking with Glass Swords this Christmas, it’s safe to say no daggers will be drawn (I’ve really got to stop with this comedy angle), so why don’t you!
Glass Swords is released by Warp Recordings and is available in all good record stores and online digital outlets.