Billed as one of only three live shows this year, the others in Paris and New York, expectation was high. Recommended in Time Out, Flying Lotus would be flanked by a vj set from AntiVJ and supported by Martyn and Kutmah, the former’s new lp already a Dash’n’Verve favourite.
So perhaps I started to let excitement get the better of me as we filed in to the excellent Roundhouse to hear Martyn drop Mega Drive Generation. Though he wasn’t the main event, the Chicago house inspired Masks and enveloping Popgun from the album Ghost People proved Martyn has a lot to offer FlyLo’s label Brainfeeder.
Kutmah with a warm up set next. an amazing version of Shugge Otis’ Aht Uh Mi Hed slinked through the mix and big bouncy r’n’b retakes reminded of the massive influence Hudson Mohawke has had on the genre.
And so to Flying Lotus. The big screen centre stage blinked with a galaxy of stars (or a windows screensaver as a Dutchman behind me quipped) and out Steve Ellison came, fresh white shirt and all. A couple of bass heavy hits in to his Ableton set, Flying Lotus appeared to apologise for something. Whilst it wasn’t clear what the apology was for, it felt to me as though something was supposed to be better. A quick post mortem on the performance…
The AntiVJ visuals were dull – like being trapped inside the crystal maze dome without a hope of reaching 100 gold tokens net. And from the guy who brought us Unexpected Delight, GNG BNG and the matchless Cosmogramma lp, the sound unfortunately matched the visuals. On the aforementioned lp tour, FlyLo drew on the fantastic Thundercat and Austin Peralta to do something truly live with the band Infinity. This was more like going to an expensive Italian restaurant and being served a Dr Oetker pizza.
Yes, the music was great, typified with FlyLo’s finale of Astral Plane followed by the Rolling Stones classic Paint it Black. But playing to thousands of punters paying 25 notes each, you need to offer more than a laptop and an apology.