Which came first, the chicken or the egg? Can you ask the same question about a remix? Simply put, no! Without an original track, what would there be to remix. That doesn’t mean to say that in order to discover a remix you need to know the original. Certainly that was the case with my first encounter (so I thought) with South London’s Jessie Ware.
Driving can be a great time to listen to music for the first time. If something doesn’t grab me on the radio within the first 15-30 seconds, the dial’s getting switched pronto. So it’s probably a good thing that the first time I clocked the Disclosure remix of Jessie Ware’s new release Running it was post drop (circa 1:17). As a rule, I don’t fall deep for 90s influenced, disco beat house tracks. This one however shot straight from the hip and planted itself firmly in my mind from the first listen. I waited anxiously to hear the track again and was rewarded two hours later when I arrived at my final destination, only to sit in the van, eyes closed, soaking up the full glory of what I have absolutely no doubt will become a terrace / dance floor / roller disco filler this summer.
The intro is sparse, like you’re late on in a dream and being woken gradually by a soft voice before being kick jolted out of your slumber. That initial post sleep haze is still in place before the first deep intake of breath, signaled here by the upward sweep into rapid vocals and expanding synth lines. All of this ushers you along before dropping you into an infectious 125 disco shuffle, all soft claps with equally soft vocals. There’s definite power behind the voice, it’s just not forced. The bass is deep and stutters subtly at times. All in all, you’re going to struggle not to be hooked in by this one.
So what of the original? I’ll be honest, I’ve been left feeling short changed before when hunting out an original after being introduced to a track through a super strength remix. Thankfully, this couldn’t have been further from the case with Running.
Having absolutely no knowledge or preconception of what this track may be like, I was in a good frame of mind when I got round to my first listen. At first you think you’ve been sucked into a sci-fi special, that is before the organic kick (complete with a slight rim shudder) beats its way into the track. The next thing to hit you is the soft parp of a horn (sampled, synthesised, I’m not sure, I don’t care, I do love it). The song keeps giving, next up is the beautifully layered vocal, with an even more seductive tone to it at the more relaxed tempo of the original. This continues throughout the track with the addition of simple yet devastatingly hooky guitars, 60s soul style backing vocals and a jumble of natural and artificial percussion.
Listen on the best pair of headphones you can get your mits on because the production values on this track are top, TOP drawer! The way sounds appear in exactly the right place at a level that complements all around it, whilst still holding their own at the same time. Jessie has Radio 1 new boy Julio Bashmore and The Invisible front man Dave Okumu to heartily thank for this. Nice job boys.
Ms Ware’s name is one I knew I’d heard before, but it was only after some iTunes searching that I fully appreciated her presence in the UK scene over the past year or two. She’s previously teamed up with SBTRKT on a few tracks from his (D&V rated) self titled debut. She’s also featured on tracks with fellow SBTRKT contributor Sampha and Bristol heavyweight Joker.
Whilst all being solid offerings, I think JW’s found her home with the sound of Running. And by all accounts that the direction we can expect from her debut album which is expected later this year. I know where I’ll be running to for that one!
P.S. Much love for the video. Watch…