AlunaGeorge – Your Drums, Your Love

There’s been a raft of tracks in recent years where an already cracking instrumental has been taken on by some fledgling artist to create a more commercially palatable “vocal edit”. One that sticks out for me is Katy B – Katy On A Mission. Having spent a large part of my latter days in the capital listening back to Rinse FM shows and recordings of their acts’ live shows around the country, I had heard both the beat (Benga – Man On A Mission) and the vocal that later became famous on the Katy B track over a different song entirely (Katy B at Bloc festival 2010). I have to confess, I have a soft spot for the Katy On A Mission, it certainly didn’t ruin the original Benga tune for me, however the same cannot be said for all such “remixes”.

I am a massive fan of Glasgow producer de jour Rustie’s debut full length offering; Glass Swords. In particular the track After Light which I flagged up in a previous post (Glass Swords). I’ve got to say I was a bit of grumpy teenager crossed with a miserable old git (I’m half way between now so it was inevitable really) when I first heard the AlunaGeorge vocal edit. It added nothing for me, the vocal almost apologetic in it’s “soft” layering over the dance swell of the beat underneath.

First impressions count for a hell of a lot, so needless to say my expectation level was not at its highest when I was alerted to a new track by AlunaGeorge doing the rounds and being hyped to the hilt. What have I learnt from this? Don’t let those shoddy first impressions cloud your judgement.

Again, the first listen didn’t set me alight, but the more I hear from sweetly spoken Aluna (Francis) and George (Reid)’s glitchy yet engaging production, the more those first impressions fade into the distance, are forgotten and in fact, proven to be very wrong. Your Drums, Your Love (formerly Treading Water) pulls influence from things you know (there’s James Blake-ness in there that’s for sure) and others you don’t (some lovely clavichord style twiddles and subtle chug-rock guitar runs that I just can’t pinpoint), which when combined make for a very strong assault on the aural sense.

The time and effort that has gone into the presentational package which accompanies the song deserves as much attention as the track itself. The music video sees Aluna thinking out loud through song as she tours a gallery populated by a collection of diverse pieces from illustrator and sculptor Arran Gregory and an assortment of body popping punters. The glass Wolf is a particular favourite, alongside the bear.

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The moral of the story kids, cliche’s have their place and you should never judge a leopard by it’s stripes…or something like that.

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